"This violinist, now among the best in the world as well as the most thoughtful, is as brilliant at Bach as [he is at] Birtwistle", Observer (London)
“The British violinist has a big, rich sound and a big, enquiring spirit.” – Los Angeles Times
Daniel Hope - Biography
Few performers can match the intensity and humanity of Daniel Hope’s music-making or his passion for artistic exploration. The British violinist’s musicianship connects with connoisseurs and newcomers to classical music alike, winning hearts and stimulating minds with its lyricism and insight. Hope knows how to make his instrument sing. His understanding of musical line and expression took root under the early care of his mentor, the legendary Yehudi Menuhin; it has matured fully since, enabling him to deliver strikingly personal interpretations of everything from Bach, Handel and Vivaldi to Takemitsu, Tavener and Turnage. The Frankfurter Neue Presse recently described Hope as “a musician with a sense and feeling for something extraordinary”, echoing a theme that runs through so many reviews of his work. That “feeling” fuels his desire to break down barriers that separate individuals, communities and nations, and drives his work as a self-styled musical activist.
Daniel Hope’s projects have drawn attention to the fate of musicians murdered by the Nazis, to stories of others affected by hatred and bigotry, and to the fine art of composers neglected by history. He has worked with actors such as Klaus Maria Brandauer and Mia Farrow to set familiar works by Mozart and Beethoven in fresh contexts, and he commemorated the centenary of the First World War’s outbreak with a project that brought together songs from the period, words by soldier-poets and a new violin concerto by Gabriel Prokofiev. “I’ve been fascinated by what music can achieve, and I put together different projects every year that in a sense have a kind of political stance,” Hope observes. “And yet I’m not a politician. I’m a musician. But I do believe musicians can use their talents and their communication to make certain things happen.”
Dismantling boundaries and uniting diverse communities has become part of life for Daniel Hope, whose outreach work extends far and wide. As well as presenting a weekly radio show on Germany’s WDR3 channel, he is the author of four best-selling books for the German-language market, and has written regularly for the Wall Street Journal and Cicero, the monthly German magazine for politics and culture. His all-round achievements were recognised with the 2015 European Cultural Prize for Music. “Daniel Hope is a great artist, whose serious and refreshing approach to classical music creates generations of new listeners,” observed Tilo Braune, President of the European Cultural Foundation. “He builds bridges between different musical worlds and thus stands for tolerance and openness.” The citation reflects Hope’s compassionate outlook and feeling for music’s unique qualities of expression. “I believe that music transcends cultural differences, in the same way that it transcends religion and race,” he notes. “I do not believe that music can change the world, but it can make people think.” That same belief led him to establish Hope@9pm, a quarterly series of “salon” events which has been running at the Berlin Konzerthaus since September 2016 and in which Hope and his invited guests from the worlds of culture and politics combine performance with wide-ranging discussion.
Over the past two decades Daniel Hope has appeared with many of the world’s leading orchestras and conductors. He is in high demand as concerto soloist, recitalist and chamber musician, and often performs at the most prestigious concert halls and festivals, from Carnegie Hall, Wigmore Hall and the Amsterdam Concertgebouw to the BBC Proms, Salzburg and Tanglewood. As Associate Artistic Director of the Savannah Music Festival, he has created adventurous programmes for the annual event since 2004. At the beginning of the 2016-17 season Hope succeeded Roger Norrington as Music Director of the Zurich Chamber Orchestra and led the ensemble on tour to South Korea and China. He is set to appear in recital at this summer’s Schleswig-Holstein, Santa Fe Chamber Music, Aspen and Mecklenburg-Vorpommern festivals, and to perform Philip Glass’s Violin Concerto No.1 at the Luxembourg Philharmonie and Hamburg’s Elbphilharmonie.
Highlights of Hope’s 2017-18 season include the world premiere and further performances of Mark-Anthony Turnage’s Concerto for two violins Shadow Walker (with Vadim Repin and the Borusan Istanbul Philharmonic Orchestra), a seven-concert tour of Germany with the Zurich Chamber Orchestra, Elgar’s Violin Concerto with the Basel Symphony Orchestra, Bruch’s Violin Concerto No.1 with the Royal Philharmonic Orchestra at London’s Royal Festival Hall, and performances with San Francisco’s New Century Chamber Orchestra, with whom he begins a new three-season relationship as Artistic Partner.
Hope launched his recording career in 1999, soon securing a reputation as one of the most distinctive and compelling virtuosos of his generation with the diversity of his studio repertoire. In 2007 he signed an exclusive contract with Deutsche Grammophon and marked his yellow label debut with an album of works by Mendelssohn, including the original version of the Violin Concerto in E minor. That same year he also recorded Schulhoff’s Sonata for solo violin for Anne Sofie von Otter’s album of music written by Jewish composers imprisoned in the Terezín concentration camp.
Hope’s DG releases comprise significant collaborations with post-minimalist composer Max Richter, including the best-selling Recomposed by Max Richter: Vivaldi – The Four Seasons and remixes of Berlin by Overnight (both 2014), and a series of albums shaped by themes or musical moods. Air – A Baroque Journey (2009) evoked the expressive energy of seventeenth- and eighteenth-century virtuoso violin music; The Romantic Violinist (2011) charted the legacy of nineteenth-century violinist and composer Joseph Joachim; Spheres (2013) presented a collection of fifteen pieces inspired by the ancient notion of the harmony of the spheres; and Escape to Paradise (2014) explored works by European composers who found refuge from Nazi persecution in Hollywood.
The violinist marked the centenary of Yehudi Menuhin’s birth in 2016 with Daniel Hope – My Tribute to Yehudi Menuhin, described as “a loving homage” by the Observer. For Seasons, released in March 2017, flows from Hope’s childhood memory of hearing Menuhin perform The Four Seasons with the Zurich Chamber Orchestra. “It made such a profound impression,” he recalls. “That combination of musicians was irresistible; so too was the fact that Menuhin was able to conjure up birdsong and the sounds of the elements on the violin. I was riveted from the first second.”
In 2004 Hope was named “Young Artist of the Year” at the Classical Brit Awards. He has won six ECHO-Klassik Awards, as well as the Deutsche Schallplattenpreis, Prix Caecilia, “Diapason d’Or of the Year” and the 2014 Edison Classical Award Special Prize. He has also secured numerous Grammy® nominations.
Daniel Hope was born in Durban, South Africa in 1973. When he was six months old, his father, the distinguished novelist, poet and anti-apartheid activist Christopher Hope, was granted an exit visa on condition that he never return to the country. The family moved to Paris, then to London, where Hope’s mother, Eleanor, became secretary and subsequently manager to Yehudi Menuhin. Daniel played with the violinist’s grandchildren as an infant and was inspired by him to study violin with Sheila Nelson, one of England’s finest teachers of young musicians. He enrolled at London’s Royal College of Music in 1984 and subsequently studied at the Royal Academy of Music. Hope launched his professional career in the early 1990s and crowned his formal training with lessons from Zakhar Bron between 1992 and 1998.
Contemporary and early music belong to Hope’s all-encompassing repertoire. He has worked closely with many composers, from Harrison Birtwistle, Alfred Schnittke and Torū Takemitsu to Sofia Gubaidulina, Roxanna Panufnik and Gabriel Prokofiev, and has commissioned and premiered more than thirty new scores. Chamber music also stands among the central pillars of the violinist’s work. He became the youngest-ever member of the Beaux Arts Trio in 2002 and gave four hundred concerts with the legendary ensemble before its final performance in 2008.
Hope, who lives with his family in Berlin, plays the 1742 “ex-Lipiński” Guarneri del Gesù, placed generously at his disposal by an anonymous family from Germany.