BRAHMS Klavierkonzerte Nos. 1 + 2 Gilels

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JOHANNES BRAHMS

Klavierkonzerte
Piano Concertos
Nos. 1 + 2

7 Fantasien op. 116
Emil Gilels
Berliner Philharmoniker
Eugen Jochum
Int. Release 02 Jan. 1996
2 CDs / Download
CD ADD 0289 447 4462 0 GOR 2
The Originals


Lista de temas

CD 1: Brahms: Piano Concerto No.1 in D minor op.15

Johannes Brahms (1833 - 1897)
Piano Concerto No.1 In D Minor, Op.15

2.
0:00
14:49

Emil Gilels, Berliner Philharmoniker, Eugen Jochum

Tiempo total de reproducción 51:43

CD 2: Brahms: Piano Concerto No.2; Fantasias Op.116

Johannes Brahms (1833 - 1897)
Piano Concerto No.2 In B Flat, Op.83

Emil Gilels, Berliner Philharmoniker, Eugen Jochum

Emil Gilels, Ottomar Borwitzky, Berliner Philharmoniker, Eugen Jochum

Emil Gilels, Berliner Philharmoniker, Eugen Jochum

Fantasias (7 Piano Pieces), Op.116

Emil Gilels

Tiempo total de reproducción 1:13:28

Gilels had immense physical power and impeccable control, but he was also capable of exquisitely refined poetry and had an acute perception of the lyrical impulse lying behind even the most assertive of Brahms's writing. The firmness of attack and the depth of sound that make his (and the Berlin Philharmonic's) playing so thrillingly dynamic can be offset by the most poignant of delicate gestures. There is undeniable grandeur to these readings, but with those additional qualities of wise thinking, generous expression and artistry of great subtlety, these performances are in a class of their own.

Titanic performances that underline the structural integrity of these massive works, but also alive to their poetic heart.

Eine sehr grundtonhafte, energiereiche Aufnahme mit einem Klangbild zum Hineingreifen -- und einem Solisten (Emil Gilels), der selbst ein Forte der Berliner Philharmoniker noch zu überdonnern vermag.

Un style minéral d'une rare probité. Gilels et Jochum déploient une intelligence constructiviste, un lyrisme décanté et une magistrale plasticité.

Gilels et Jochum optent dans le 1er pour un maelström sonore impressionnant de puissance. Ils savent également trouver les lignes de fuite embrumées du 2e et en recréent la lyrique sans en sacrifier les rythmes allègres.