VIVALDI Prima Donna Stutzmann Download

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ANTONIO VIVALDI
Prima Donna

Nathalie Stutzmann
Orfeo 55
Int. Release 25 Apr. 2011
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0289 476 4311 1 DDD GH
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Liste de titres

Antonio Vivaldi (1678 - 1741)
Juditha Triumphans, R.644

Pars prior

Nathalie Stutzmann

Vivaldi: Orlando furioso RV 728

Act 3

Nathalie Stutzmann, Orfeo 55

Arsilda Regina di Ponto R.700

Act 1

Tieteberga, RV737

Act 2

Il Giustino, RV 717

Act 2

5.
4:15

L'Olimpiade, RV725

Act 2

Arsilda Regina di Ponto R.700

Act 1

Il Giustino, RV 717

Act 2

Nathalie Stutzmann

Nathalie Stutzmann, Orfeo 55

La costanza trionfante , RV706

Act 3

Nathalie Stutzmann

Il Teuzzone, RV736

Act 1

Nathalie Stutzmann, Orfeo 55

Antonio Vivaldi (1678 - 1741), Anonymus
Andromeda Liberata (Serenata Veneziana), RV 117

Nathalie Stutzmann

Antonio Vivaldi (1678 - 1741)
L'Olimpiade, RV725

Sinfonia

15.
2:00

16.
2:27

Nathalie Stutzmann, Orfeo 55

L'Atenaide, RV702

Act 3

Semiramide (RV 733)

Act 3

Act 2

Juditha Triumphans, R.644

Pars altera

Nathalie Stutzmann

Vivaldi: Orlando furioso RV 728

Act 1

Nathalie Stutzmann, Orfeo 55

Tieteberga, RV737

Act 3

Arsilda Regina di Ponto R.700

Act 3

24.
0:54

Nathalie Stutzmann

Durée totale de lecture 1:10:50

. . . [a] highly distinctive voice . . . impressive . . . the programme is discerningly judged in its balance and range. Once heard, never forgotten, Stutzmann's dark, coppery contralto has an androgynous quality. Fiery and icy, her expressive nuances are varied but never excessive. She is also a proficient conductor: singer and players breathe as one.

Stutzmann's heady mixture of raw energy, high-octane passion and stunning vocal acrobatics works marvellously in this imaginatively planned recital . . . It's a "tour de force" not only for singing -- Stutzmann also shows great prowess as a conductor, inspiring her ensemble Orfeo 55 in vibrant and expressive performances throughout.

. . . characterful singing . . . "Io sento" from "Arsilda" is deeply felt; "La gloria" from "Tieteberga" demonstrates considerable flexibility; "Semo in seno" from "Il giustino" has a wistful quality; "Sovvente il sole" from "Andromeda liberate" is slow and sensuous . . . Stutzmann is one of those singers who should be represented in every vocal collection.

. . . [Nathalie Stutzmann dirigiert] -- mit viel Verve -- ihr eigenes Ensemble Orfeo 55 . . . eine Kategorie für sich . . . Ihre warme Tiefe und die furios hochschießenden Spitzentöne klingen fein verblendet, besonders in die Lamenti und Adagio-Arien legt sie ihr ganzes Herzblut . . . [ein] tolles Album . . . Wie gestanzt klackern da die Koloraturen, die Staccati fallen kaskadenhaft herab, zu hören ist ein Fest glanzvoll bewältigter Schwierigkeiten, die doch einer höheren Wahrheit dienen und selbst in Minutenausschnitten eine Figur zu charakterisieren vermögen.