CHOPIN EVOCATIONS Trifonov

CHOPIN EVOCATIONS

FRÉDÉRIC CHOPIN
Piano Concertos Nos. 1 & 2
(Arr. By Mikhail Pletnev)
Variations on "Là ci darem la mano"
Works by
Barber · Grieg · Mompou
Schumann · Tchaikovsky
Daniil Trifonov
Mahler Chamber Orchestra
Mikhail Pletnev
Int. Release 06 Oct. 2017
2 CDs / Download
0289 479 7518 2


トラック・リスト

CD 1: Chopin Evocations

Frédéric Chopin (1810 - 1849)
Concerto For Piano And Orchestra No. 2 In F Minor, Op. 21 (Arr. By Mikhail Pletnev)

Concerto For Piano And Orchestra No. 2 In F Minor, Op. 21

1.
15:41

2.
10:20

Daniil Trifonov, Mahler Chamber Orchestra, Mikhail Pletnev

Variations On "La ci darem la mano", Op. 2

Variations On "La ci darem la mano", Op. 2

Variations On "La ci darem la mano", Op. 2

Variations On "La ci darem la mano", Op. 2

Variations On "La ci darem la mano", Op. 2

Variations On "La ci darem la mano", Op. 2

Variations On "La ci darem la mano", Op. 2

Variations On "La ci darem la mano", Op. 2

Robert Schumann (1810 - 1856)
Carnaval, Op.9

Edvard Grieg (1843 - 1907)
Moods, Op.73

Samuel Barber (1910 - 1981)
14.
4:10

Peter Ilyich Tchaikovsky (1840 - 1893)
18 Pieces, Op. 72, TH 151

18 Pieces, Op.72, TH 151

Daniil Trifonov

再生時間合計 1:02:18

CD 2: Chopin Evocations

Frédéric Chopin (1810 - 1849)
Daniil Trifonov, Sergei Babayan

Concerto For Piano And Orchestra No. 1 In E Minor, Op. 11 (Arr. By Mikhail Pletnev)

Concerto For Piano And Orchestra No. 1 In E Minor, Op. 11

Daniil Trifonov, Mahler Chamber Orchestra, Mikhail Pletnev

Federico Mompou (1893 - 1987)
Variations On A Theme By Chopin

Variations On A Theme By Chopin

Variations On A Theme By Chopin

Variations On A Theme By Chopin

Variations On A Theme By Chopin

Variations On A Theme By Chopin

Variations On A Theme By Chopin

Variations On A Theme By Chopin

Variations On A Theme By Chopin

Variations On A Theme By Chopin

Variations On A Theme By Chopin

Variations On A Theme By Chopin

Variations On A Theme By Chopin

Frédéric Chopin (1810 - 1849)
Daniil Trifonov

再生時間合計 1:17:43

. . . [the "Variations on Là ci darem la mano" provide] a rare opportunity to hear this played as a solo and quite possibly the finest ever committed to disc . . . The way in which Trifonov executes Var 3 and the contrasting touch and dynamics he brings to the repeat is quite masterly . . . One thing is constant throughout and that is the sublimely wonderful sound Trifonov produces right through the register . . . [Mompou's Chopin Variations are given] a consummate, unfussy reading . . .

The album features world premiere recordings of both Piano Concertos in fascinating orchestrations by pianist-composer Mikhail Pletnev. Pletnev also conducts the Mahler Chamber Orchestra in performances of exceptional detail, lyrical freedom and chamber music-like transparency.

. . . fascinating . . . a showcase for his own gifts and a reflection on the importance of Chopin's legacy . . . [the album's repertoire] spurs Trifonov to performances of eloquent tenderness . . . and sensitive technical display.

. . . [all the pieces are] played with scintillating virtuosity . . . Trifonov's brilliance wins through . . .

. . . very accomplished . . . [the pieces are] well-chosen and beautifully executed . . . Trifonov also plays persuasively the piano-only-version of Chopin's variations . . . [and the Rondo,] which Trifonov plays most charmingly . . . [in the two concertos] Trifonov's passagework often dazzles . . .

. . . a damn good record . . .

. . . a truly exceptional account of the "Variations on Là ci darem la Mano", and the Rondo for two pianos . . . There's a glittering set of Mompou variations, Barber's Nocturne, a Grieg study and a Tchaikovsky miniature, all played with predictable faultless brilliance.

An elegant love-letter or postcard to Chopin, in new arrangements and signed by several admirers . . . The natural fluency of Trifonov's phrasing and rubato well suit the elastic temperament of the f minor Concerto, whose capacity to explode into emotional torrents always captivates its adherents . . . [Chopin / Piano Concerto no. 1, 1st movement]: Trifonov shapes each phrase and period with tender, loving care. The improvisatory -- and lengthy -- narrative style enjoys a seamless fluidity and logic. Pletnev keeps the marvelous French horn dialogue with Trifonov. The extended procession to the (desired) G Major proves infinitely fascinating and lyrically seductive . . . the set embodies a long love-letter to Chopin, brilliantly rendered.

. . . ein Poet am Flügel . . . Trifonov zählt bereits jetzt zu den Großen seines Fachs . . . [er begeistert] mit seinem Spiel, das aus einer schier unendlichen Palette an Farben und Schattierungen und untrüglichem Sinn für dramatische Zuspitzungen schöpft . . . [Trifonov führt] Chopins Klavierkonzerte zu neuen Ufern . . . [Pletnevs Orchestrierungen wirken] erheblich kammermusikalischer und packender . . . auch, weil Daniil Trifonov den Solopart behandelt wie eine zarte Kostbarkeit. Das Rubato setzt er als klug gewähltes gestalterisches Element ein, als entdeckte er das Werk für sich neu. Auch viele Zwischenstimmen gelangen in dieser Interpretation ans Licht.

Chopin & Co klingen frisch, originell, unkitschig, auch innig, immer noch brillant, heutig. Ja. So darf Chopin gerne sein.

Dans un album au programme et à la réalisation extrêmement soignés, Daniil Trifonov livre un jeu de miroirs très subtil autour de Frédéric Chopin . . . [dans ses deux concertos pour piano] l'esthétique raffinée séduit . . . Ce superbe album est un magnifique objet sonore, au programme pensé avec beaucoup d'intelligence . . . renforcée par la direction pleine de noblesse et d'une grande hauteur de vue de Pletnev . . . le piano de Trifonov vient insérer une lecture d'une beauté de timbre et de toucher, d'une subtilité de phrasés qui captivent et séduisent l'auditeur . . . le résultat est d'une pure beauté plastique sidérante. Les compléments s'avèrent eux aussi d'une grande intelligence . . . l'admirable fantaisie-impromptu permet une nouvelle fois à Trifonov de faire preuve d'un raffinement de phrasé d'une élégance éblouissante . . . [le "Evocations" CD] est traduit avec une qualité technique superlative . . .