MOZART Requiem Messe KV 317 Karajan 1975

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W. A. MOZART

Requiem

Messe C-dur KV 317
»Krönungsmesse
Coronation Mass«
(Aufnahme/Recording: 1975)
Tomowa-Sintow · Baltsa
Krenn · van Dam
Wiener Singverein
Berliner Philharmoniker
Herbert von Karajan
Int. Release 01 Nov. 2007
1 CD / Download
CD ADD 0289 477 7164 7 GM
KARAJAN MASTER RECORDINGS


트랙리스트

Wolfgang Amadeus Mozart (1756 - 1791)
Requiem in D minor, K.626

compl. by Franz Xaver Süssmayer

Anna Tomowa-Sintow, Berliner Philharmoniker, Herbert von Karajan, Rudolf Scholz, Wiener Singverein

Berliner Philharmoniker, Herbert von Karajan, Rudolf Scholz, Wiener Singverein

Anna Tomowa-Sintow, Agnes Baltsa, Werner Krenn, José van Dam, Berliner Philharmoniker, Herbert von Karajan, Rudolf Scholz

Berliner Philharmoniker, Herbert von Karajan, Rudolf Scholz, Wiener Singverein

Anna Tomowa-Sintow, Agnes Baltsa, Werner Krenn, José van Dam, Berliner Philharmoniker, Herbert von Karajan, Rudolf Scholz

Berliner Philharmoniker, Herbert von Karajan, Rudolf Scholz, Wiener Singverein

Berliner Philharmoniker, Herbert von Karajan, Wiener Singverein

Anna Tomowa-Sintow, Agnes Baltsa, Werner Krenn, José van Dam, Berliner Philharmoniker, Herbert von Karajan, Rudolf Scholz, Wiener Singverein

Berliner Philharmoniker, Herbert von Karajan, Rudolf Scholz, Wiener Singverein

Anna Tomowa-Sintow, Agnes Baltsa, Werner Krenn, José van Dam, Berliner Philharmoniker, Herbert von Karajan, Rudolf Scholz, Wiener Singverein

Berliner Philharmoniker, Herbert von Karajan, Rudolf Scholz, Wiener Singverein

Anna Tomowa-Sintow, Berliner Philharmoniker, Herbert von Karajan, Rudolf Scholz, Wiener Singverein

Mass in C, K.317 "Coronation"

15.
0:00
3:16

16.
0:00
3:59

17.
0:00
6:40

Anna Tomowa-Sintow, Agnes Baltsa, Werner Krenn, José van Dam, Berliner Philharmoniker, Herbert von Karajan, Rudolf Scholz, Wiener Singverein

총 재생시간 1:19:07

[477 7156]: The burnished brilliance of the playing, the finely-spun lines and perfectly sculpted dramatic climaxes -- and Michael Schwalbe's violin solos -- altogether shows one of the greatest Straussian teams at its peak.
[477 7157]: The "Eroica" and No. 4 are potent reminders of the power and pace, the plush string sound and stunning brass . . .
[477 7161]: Bartók's Concerto for Orchestra . . . profits from the super-sophisticated sheen which by the mid-'60s also sustains Karajan's Debussy and Ravel . . . the colours of "La Mer" and "Daphnis" are very seductive.
[477 7163]: Karajan's collection of "Opera Intermezzi" is a real pleasure: fine-spun strings, verismo drama, and space to appreciate the delicate beauty of these gems, from Verdi to Mascagni.
[477 7164]: . . . genuinely moving . . .
[477 7165]: Youthful poise meets urbane sophistication, to the benefit of both, and also of Beethoven.
[073 4386]: You can watch the long line at work in the seamless cello melody of the Third's Poco allegretto -- no 'breaths' between phrases -- while the hard-hitting First and Fourth . . . always rhythmically well define, move naturally to their craggy peak.

. . . belleza sonora, dinámicas sinuosas, fraseos largos y de líneas elegantes . . . en la Misa de la Coronación . . . encajan la solemnidad, la densidad y la grandilocuencia, y ese estilo romántico, ya superado por la revolución historicista, nos permite disfrutar de una lectura muy interesante.