RECOMPOSED BY MAX RICHTER / VIVALDI Four Seasons

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RECOMPOSED BY MAX RICHTER

ANTONIO VIVALDI
Die vier Jahreszeiten
The Four Seasons

incl. Shadows and Remixes
+ DVD - Filmed performance of
RECOMPOSED BY MAX RICHTER,
LIVE FROM BERLIN
Daniel Hope
Konzerthaus Kammerorchester Berlin
André de Ridder
l'arte del mondo · Werner Ehrhardt
Int. Release 28 Apr. 2014
1 CD + 1 DVD
0289 479 2776 1 CD + DVD DDD GH2
CD DDD GH
2 LPs GH2
eVideo 25p GH


Track List

CD 1: Recomposed By Max Richter: Vivaldi, The Four Seasons

Max Richter (1966 - )
Recomposed By Max Richter: Vivaldi, The Four Seasons

Recomposed by Max Richter: Vivaldi, The Four Seasons

Max Richter, Konzerthaus Kammerorchester Berlin, André de Ridder

Max Richter, Daniel Hope, Konzerthaus Kammerorchester Berlin, André de Ridder

Max Richter, Daniel Hope, Raphael Alpermann, Konzerthaus Kammerorchester Berlin, André de Ridder

Max Richter, Daniel Hope, Konzerthaus Kammerorchester Berlin, André de Ridder

10.
0:00
1:45

11.
0:00
3:01

Max Richter, Daniel Hope, Raphael Alpermann, Konzerthaus Kammerorchester Berlin, André de Ridder

12.
0:00
2:51

13.
0:00
4:39

Max Richter, Daniel Hope, Konzerthaus Kammerorchester Berlin, André de Ridder

14.
3:53

15.
2:30

16.
3:33

17.
2:33

18.
3:01

Max Richter

19.
0:00
4:58

Max Richter, Daniel Hope, Konzerthaus Kammerorchester Berlin, André de Ridder

20.
3:28

Max Richter, Robot Koch

21.
0:00
4:07

Max Richter, Ben Berry

22.
5:00

Max Richter, NYPC

Total Playing Time 1:17:02

DVD 2: Recomposed By Max Richter: Vivaldi, The Four Seasons - Live From Berlin

Max Richter (1966 - )
Recomposed By Max Richter: Vivaldi, The Four Seasons

Recomposed by Max Richter: Vivaldi, The Four Seasons

1.
0:55

2.
2:40

3.
3:21

4.
3:04

5.
3:54

6.
3:23

7.
5:02

8.
5:42

9.
2:53

10.
1:41

11.
3:04

12.
2:52

13.
4:10

Daniel Hope, Max Richter, l'arte del mondo, Werner Ehrhardt

14.
1:13

Max Richter

Total Playing Time 43:54

. . . Richter¿s composition marks a new high . . . He has done far more than simply re-orchestrate the Vivaldi, going through the original score and plucking out his favorite musical ideas and dispensing with a great deal of the notes . . . The musicians were prepared to match him, playing in unison the dart-like repeated note values that often gave the work a distinctly minimalistic quality: here Vivaldi becomes systems music grounded by solid melody and a propulsive bass line. The result sounded a good deal . . .

Part of the fun of the album is that your ears play tricks with your memory of the original: these familiar melodies do unexpected things, resulting in an experience that's both disturbing yet full of strange delights . . .

. . . Richter is very self-aware. He notices that his own taste in repeating patterns doesn't mesh with the apparently similar patterns in Vivaldi. They obey a different logic, and the friction between them generates a fascinatingly ambiguous colour. Richter teases out and heightens this colour . . . It is a subtle and often moving piece of work . . . the field of the classical remix has finally become interesting.

It's a beautiful recomposition, with undulating string beds carrying Daniel Hope's lyrical lone violin lines. The "Spring" sections are joyously simple and engaging, with subsequent sections adding depth through high-string harmonies, methodical harpsichord and pulsing string ostinatos that reflect the original Vivaldian style. The result is a creditable palimpsest of the original work informed by modern pop and dance techniques.

. . . [a] delightful reconstruction of Vivaldi¿s overly-familiar concerti . . . Daniel Hope is the skilled solo violinist in both the originals and reconstructed sections . . . in two auditions I must say this surpasses the couple of jazz versions "The Four Seasons" I have heard.

This week we're listening to Vivaldi's Four Seasons as recomposed by Max Richter. It has been out for a few weeks but we can't stop listening to it. As someone smarter than us said, it's like Vivaldi's gone post-rock.

This is Vivaldi's biggest hit, the "Four Seasons", in disguise, so to speak . . . Richter has given the warhorse a makeover. In places, he veers far away from the original four concertos; in other spots he simply adds some low-end electronics and messes with the rhythm. I like how he throws a syncopated back-beat underneath this movement from "Summer." It gives the music an extra kick, especially in this fiery performance by violinist Daniel Hope.

Inventive orchestra and solo sonorities, and Vivaldi -- sometimes hinted at, sometimes authentic. Evocative, arresting, and rescued from overreliance on minimalist repetition by committed playing.

How cool can the much respected (classical) music Deutsche Grammophon label be, asking 'modern composer' Max Richter to recompose the evergreen of baroque music? To make the baroque rock? With a baffling end result, Max Richter did not only do excellent fine-tuning, but he stripped the Venetian all-timer and made it look brand new! Agreed the shiny, rich tarnish had to go. Violinist Daniel Hope, however, must have encountered many surprises when reading Max Richter's new sheet music . . . [Richter's version] reworks Vivaldi's 'Four Seasons' in a most immaculate fashion and with a contemporary perception. It restores to dignity and . . . features nothing but joyful and exhilarating playing, by which, and that's where I warn you, you might become overwhelmed.The transition from Summer into Autumn, where Max Richter unashamedly re-interprets Vivaldi, sounds particularly striking . . . 'Summer' gets performed with such joy, and with such beauty, that when the season turns into 'Autumn', Max Richter has already cosily and closely nestled up in the realms of the greatest composer from baroque times . . . to put it mildly, here you get his four seasons masterpiece all spiced and all spiked up.

. . . [on "Four Seasons" CD]: an intelligent, even reverent, updating of Vivaldi . . . [on "Spheres" CD]: Gabriel Prokofiev's "Spheres", an impressive highwire act for Hope, easily stands out. Nor is it easy to forget Karsten Gundermann's "Faust"-inspired "Nachspiel". . .

Using passages of Vivaldi's material, Richter's reimaginings and remixes by him and others . . . play games with their source. Beguiling, intriguing fun.

. . . [Max Richter] has written an amazing piece of music based on the "Four Seasons" by Vivaldi. It's a true work of art, craft and invention . . .

Der Vivaldi fürs 21. Jahrhundert -- ein idealer Begleiter durch das Jahr.

An die Re-Komposition der wohl berühmtesten Violinkonzerte der Musikgeschichte ist [Richter] mit großer Sorgfalt herangegangen . . . Richters zeitgeistig adaptierter, intelligenter Vivaldi forderte den Solisten (ganz hervorragend: Daniel Hope) ebenso heraus wie uns Hörer, da man um vertraute Erinnerungen getäuscht wird und die neuen Richter-Parodien unablässig mit dem Vivaldi-Original vergleicht. Guter Klang; zum überraschen und Philosophieren sehr empfohlen.

. . . Verfremdungs- und Soundtrack-Effekte [lassen sich] auch in dieser fabelhaften Vivaldi-Bearbeitung finden (etwa in "Summer 3" oder "Autumn 3"), ohne dass es je breiig oder banal klingt. Im virtuosen Zusammenspiel des Geigers Daniel Hope mit dem Konzerthaus-Kammerorchester Berlin unter Leitung von André De Ridder ist ein topaktueller "Jahreszeiten-Remix" entstanden -- und ein neues Werk von ganz eigenem Wert.

. . . [Vivaldis Meisterwerk erstrahlt] in einem ganz anderen, frischen Gewand. Und zugleich mit höchstem Respekt vor dem Original. Ein Klang, der eine völlig neue Generation von Hörern genauso begeistert wie jene Klassik-Fans, die das Original lieben und beinahe schon auswendig kennen . . . Was Richter nun mit seiner Recomposed-Bearbeitung geschafft hat, kann man getrost als "Vier Jahreszeiten 3.0" bezeichnen. Richter holt das Werk in die Jetztzeit und ermöglicht einer neuen Hörerschaft einen völlig neuen Zugang -- mit gleichzeitigem Respekt vor dem Original und seiner Interpretationsgeschichte, so dass auch der erfahrene Klassik-Hörer seine Freude mit "Vivaldi Recomposed" haben wird . . . Der britische Star-Komponist haucht Antonio Vivaldis "Vier Jahreszeiten" neues Leben ein.

. . . [une] étonnante et envoûtante "recomposition" du chef-d'oeuvre de Vivaldi . . . Cette partition à la fois si familière et totalement neuve, où la virtuosité baroque le dispute par instant à l'exubérance des samples électro et la vivacité du trait vivaldien à l'envoûtement de la grammaire minimaliste, il l'a couchée sur papier à l'invitation de Deutsche Grammophon et du violoniste internationalement reconnu Daniel Hope . . . Le résultat est aussi déroutant que fascinant. Une ensorcelante invitation au voyage et à la redécouverte d'un classique, que l'on n'écoutera plus de la même manière.


  • Watch the Music Clip "Summer 1" from the Album "Recomposed by Max Richter: Vivaldi, The Four Seasons".

    British composer Max Richter, who wrote the award-winning music to Ari Folman's movie "Waltz with Bashir", takes Antonio Vivaldi's masterpiece "The Four Seasons" for Recomposed into the present and makes it accessible in new ways to a new audience. At the same time, he treats the original version and its history with respect, which means that also experienced listeners of classical music can enjoy "Vivaldi Recomposed".

    Joining Max Richter in this exceptional project is Daniel Hope, the British violinist. He is both a notable champion of contemporary music and an exponent of the standard classical repertoire. That makes him the ideal soloist for Richter's piece.


  • Watch the album trailer for "Recomposed by Max Richter: Vivaldi, The Four Seasons".


  • Watch the Music Clip "Spring 1" from the Album "Recomposed by Max Richter: Vivaldi, The Four Seasons".