Willkommen im Künstlerbereich der Deutschen Grammophon Webseite

Wählen Sie im Drop-Down-Menü oder über eines der Künstlerfotos auf der linken Seite einen Künstler. Melden Sie sich für unseren Newsletter an, um die neuesten Nachrichten über Künstler und kommende Veröffentlichungen zu erhalten.




From the most influential musician of all time

J.S. BACH - THE NEW COMPLETE EDITION

THE LARGEST COMPOSER PROJECT IN RECORDING HISTORY

32 Labels, 222CDs, 750+ Performers & Ensembles, 280 Hours of Music, 10 Hours of New Recordings including 7 World Premieres, 2 luxury hardback books, advance presentation of BWV3 Catalogue, plus digital product suite

Deutsche Grammophon and Decca proudly announce the release of the largest and most complete box set ever devoted to the work of a single composer. The 222 CD Complete Edition is the result of two years of curation and scholarship and has been developed with the cooperation of 32 labels and a team of scholars at the Leipzig Bach Archive, with an introductory DVD documentary and written welcome by its President Sir John Eliot Gardiner, and with editorial consultant Nicholas Kenyon presiding over work-by-work musical commentary.

The set marks 333 years since the birth of J.S. Bach. We can confidently say that certain numbers and numerical proportions had a special structural and sometimes religious significance for Bach. References to the number three reflect the important doctrine of God’s Tri-unity which lies at the core of Bach’s Lutheran faith. Nicholas Kenyon says: “333 is important, because one of the key Bach numbers is 3 representing the Trinity: Father, Son and Holy Ghost. The symbolism of three, and three times three, is everywhere in the collection of organ works Clavier-Übung III (1739). We often sense these underlying features in Bach’s work; while I don’t think he ever let them dominate his thinking, it was clearly a way in which he was expressing the harmony of the universe as he saw it.” The set is thus known as ‘Bach 333’.

Across 16,926 minutes of music over 5,533 tracks, Bach 333 presents every known note from the great master and opens up his world – and his impact on our world – in a uniquely immersive way: through audio, visual, printed and online materials. The set, the largest ever devoted to a single composer and exceeding in size even the massively-successful ‘Mozart 225’ Edition of two years ago, presents Bach’s complete oeuvre from 750 hand-picked performers and ensembles across 32 labels including Sony, Warner, BIS, SDG, Denon and Harmonia Mundi.

Two handsomely illustrated hardback books are included. The first book, entitled LIFE, presents a lavishly illustrated biography by leading Bach scholar Dorothea Schröder plus thirteen essays of the latest thinking from leading scholars from the Leipzig Bach Archive. The second book, MUSIC presents a new essay by doyen of Bach scholarship Christoph Wolff followed by work-by-work commentary by Nicholas Kenyon (author of The Faber Pocket Guide to Bach). Also included are complete sung texts and English translations, facsimile reproductions of key scores and a guide to further online resources including the Bach Archive’s ground-breaking Bach Digital initiative. Meanwhile, the set also conforms to the very latest research from the Leipzig Bach Archive and their new BWV3 catalogue due to be published in 2019-20. The life of Bach is further explored on DVD in Sir John Eliot Gardiner’s 90-minute BBC film ‘Bach: A Passionate Life’. The colour-coded layout of Bach 333 presents the works chronologically within one of four genres – Vocal Music, Keyboard Music, Orchestral Music and Instrumental Music. The consumer can navigate with ease across the enormous and rich array of content.

Best-in-class historically-informed performancesinclude a handpicked set of the complete Cantatas led by outstanding contributions from Sir John Eliot Gardiner and Masaaki Suzuki, plus strong showings from Ton Koopman, Philippe Herreweghe, Gustav Leonhardt, Nicolaus Harnoncourt, Sigiswald Kuijken and more; other leading names featured across the Edition include Reinhard Goebel, Christopher Hogwood, Paul McCreesh, Franz Brüggen, Trevor Pinnock, Christophe Coin, Christophe Rousset and Rinaldo Alessandrini.

The set also presents over 50 CDs of alternative recordings including modern piano performances of all the key works from András Schiff, Murray Perahia, Angela Hewitt, Martha Argerich, Alfred Brendel and many more. 90 years of evolving Bach performance traditions in vocal and instrumental practice can be heard in legendary performances from a plethora of artists from Alfred Deller to Lorraine Hunt Lieberson, Adolf Busch to Claudio Abbado, Willem Mengelberg to Karl Richter, Edwin Fischer to Glenn Gould, Albert Schweitzer to Marie-Claire Alain, Wanda Landowska to Zuzana Růžičková, Pablo Casals to Pierre Fournier, Arthur Grumiaux to Anne-Sophie Mutter.

Highlights among 10 hours of entirely new recordings include a new recording of the Sonatas & Partitas for solo violin by period specialist Giuliano Carmignola, as well as 7 premieres of works never recorded before - 6 alternative Chorale versions and Beethoven’s only completed arrangement of a Bach work.

16 CDs entitled “Bach Interactive” and “Bach after Bach” form the basis of a major offering to enrich our experience and understanding of Bach’s unique impact on composers and composition ever since; from Mozart and Beethoven to today’s masters such as Arvo Pärt and György Kurtág. Included are albums devoted to Bach à la Jazz (Stéphane Grappelli, Stan Getz, Jacques Loussier, Bill Evans and more) and New Colours of Bach - remixers, composers and artists of our own time.

Sir John Eliot Gardiner, President, Leipzig Bach Archive: “This superb array of recordings is to be welcomed and valued on different levels simultaneously. First, it displays the colossal range and sheer variety of Bach's output; then the challenges of performing it and how these have evolved - exemplified by the multiplicity of recorded interpretations assembled here for the first time. Listening to any of these CDs will surely induce in you a heightened sense of consciousness – of the role of music which Bach enriched and extended so brilliantly. For him music was pure necessity. It occupied his whole being: to compose it and perform it demanded multiple skills, a capacity to solve puzzles and challenges, and a way of making sense of the world in which he lived. In our day the music of J.S. Bach continues to affect and change people’s lives in the most profound way. It has the power to reflect our innermost concerns and even to mitigate the way we respond to contemporary events.”

Bach is regularly singled by composers across all traditions from jazz, pop, world and classical for his unique importance,” says Paul Moseley, Universal Music Group’s Director of Bach 333. “We have set out to do him, his life, his world, full justice, taking in current and past performance practice, fresh scholarship and the latest media, to produce something that will educate, entertain and deepen our relationship with probably the most influential composer of all time.”

Peter Wollny, Executive Director, Leipzig Bach Archive: “Deutsche Grammophon’s invitation to collaborate on the Bach 333 Edition was both a challenge and a welcome opportunity to bring the Archive’s research to the attention of the musical world through the recorded medium. We sincerely hope this Edition opens eyes and ears around the world to the universal relevance of Johann Sebastian Bach’s creative oeuvre both today and in the future.

Bach 333 is released worldwide on October 26th in two language versions – English and German. The flagship Edition is accompanied by a 2CD entry level product Peaceful Bach and a suite of 13 digital products including Bach à la Jazz and New Colours of Bach, all aimed at achieving the widest possible awareness and engagement.



THE LARGEST, MOST COMPLETE, MOST AUTHORITATIVE

& ENRICHED COMPOSER SET OF ALL TIME ON 222 CDs + 1 DVD




Deutsche Grammophon und Apple Music stellen neues digitales Forum für klassische Musik mit Audio- und Video-Inhalten auf Medienevent während der Salzburger Festspiele vor

Im Jubiläumsjahr zum 120. Geburtstag von Deutsche Grammophon kuratieren Künstler des Labels Musik von Beethoven, Mozart und Bach auf Radiostationen von Apple Music

Innovativer Auftakt mit Daniil Trifonov: erste Video Essential Playlist eines klassischen Interpreten auf Apple Music. Rolando Villazón präsentiert erstes Visual Album einer Oper mit seinem Auftritt in Gounods »Roméo et Juliette«

10. August 2018. Deutsche Grammophon und Apple Music geben eine langfristige Zusammenarbeit bekannt mit dem Ziel, das Erlebnis von klassischer Musik für ein globales Publikum zu bereichern.

Im Mittelpunkt des neu geschaffenen Forums auf Apple Music stehen »The DG Playlist« – eine regelmäßig aktualisierte Auswahl von Spitzenaufnahmen des 120-jährigen Traditionslabels –, Visual Albums mit zeitlosen und legendären Aufführungen von DG-Künstlern, neu kreierte Video-Clips von Daniil Trifonov und Ildar Abdrazakov sowie von Rolando Villazón, Peter Gregson und Daniil Trifonov kuratierte Radiostationen mit Werken von Mozart, Bach und Beethoven.

Die neue Initiative von Deutsche Grammophon auf Apple Music bringt Audio- und Video-Inhalte auf einer einzigen Plattform zusammen und präsentiert große Ereignisse der Klassikwelt, herausragende Veröffentlichungen, Porträts von Komponisten und Künstlern, aber auch bedeutende Jubiläen neben kuratierten Playlists und erstklassigen audiovisuellen Inhalten.

2016 war Deutsche Grammophon bereits das erste Klassiklabel, das ein Kuratoren-Profil auf Apple Music etablierte. Die Kooperation hat sich positiv entwickelt, indem unter anderem mehr als zwei Dutzend erfolgreiche Playlists konzipiert wurden, und so war die Grundlage geschaffen für den Start eines kuratierten Label-Forums.

Dieses Label-Forum ging heute live auf www.applemusic.com/dg und wurde auf einer hochkarätig besetzten Pressekonferenz in Mozarts Geburtshaus vorgestellt. Die DG-Künstler Daniil Trifonov, Rolando Villazón, Ildar Abdrazakov und Peter Gregson traten auf und diskutierten außerdem auf dem Podium über die Präsentation von Musik im digitalen Zeitalter. Gesprächspartner war ferner Michael Bladerer, der Geschäftsführer der Wiener Philharmoniker. Die Künstler boten einen Überblick über ihren persönlichen Ansatz als Kuratoren und offenbarten dabei ihre Leidenschaft, Energie und Begeisterung für die klassische Musik in der digitalen Ära.

»Die Bedeutung des Gelben Labels und unserer lebendigen Künstlergemeinschaft als Kuratoren und Wegweiser für Qualität war schon immer überragend, in Schallplattengeschäften gleichermaßen wie im digitalen Raum«, sagt Dr. Clemens Trautmann, Präsident von Deutsche Grammophon. »In einer Welt, in der Aufmerksamkeits¬spannen kurz geworden sind und klassische Musik überall leicht verfügbar ist, müssen die Menschen ihre knappe Zeit und begrenzte Ressourcen mit Bedacht nutzen. Gemeinsam mit unserem Partner Apple Music wollen wir Entdeckungen ermöglichen und Orientierung bieten für alles, was in der klassischen Musik relevant ist. Wir freuen uns außerdem über die Möglichkeit, in umfassender Weise kurze und längere Videoproduktionen zu präsentieren und das neue Forum so zu einem Eckpfeiler der globalen audiovisuellen Strategie von Deutsche Grammophon zu machen.«

Jonathan Gruber von Apple Music erklärt: »Bei klassischer Musik geht es um die Freude am Entdecken. Wir sind begeistert, dass diese großartigen Künstler von Deutsche Grammophon nun Teil unseres erweiterten internationalen Teams von vertrauenswürdigen Kuratoren sind.«

Daniil Trifonovs Aufführung an Mozarts Geburtsstätte wurde live mitgeschnitten und zeitnah auf Trifonovs neuer Video Essential Playlist mit eigens dafür zusammengestellten Performance-Clips präsentiert. »Ich sehe es als wunderbare Chance, dass ich meine Arbeit auf Apple Music vorstellen kann. Durch dieses neue Forum meines Labels können Künstler wie ich ihre Musik mit der Klassik-Fangemeinde teilen«, sagt Daniil Trifonov. »Ich empfinde es als Privileg, dass ich der erste klassische Künstler bin, der auf seiner eigenen audiovisuellen Playlist die Videos seiner Aufführungen präsentiert, denn ich habe natürlich sehr schöne Erinnerungen daran, wie sie entwickelt wurden und entstanden sind. Dass sie nun auf Apple Music diese Reichweite finden, ist für mich aufregend.«

Zu den anderen audiovisuellen Highlights gehört die erste vollständige Oper auf Apple Music in Form eines Visual Albums: eine von Kritikern viel beachtete Aufführung von Gounods Roméo et Juliette bei den Salzburger Festspielen 2008 mit Rolando Villazón als Roméo unter der Leitung von Yannick Nézet-Séguin. Außerdem eine Salzburger Video-Playlist, zu der auch die Mozart-Gala anlässlich des 250. Geburtstags des Komponisten zählt, unter anderem mit Anna Netrebko, Magdalena Kožená, Thomas Hampson, Daniel Harding und den Wiener Philharmonikern.

»Mozart ist meine Leidenschaft, und Salzburg hat in meinem Leben eine wichtige Bedeutung, sowohl als Sänger als auch als Künstlerischer Leiter der Mozartwoche«, sagt Rolando Villazón. »Nun kann ich die Mozart-Werke, die ich am meisten liebe, über den Mozart-Radiokanal von Apple Music mit anderen teilen. Es versteht sich von selbst, wie wichtig es ist, den Hörern klassischer Musik Kontext und Orientierung zu bieten und diesen bemerkenswerten Reichtum der Klassik jedem zugänglich zu machen. Das DG-Forum auf Apple Music ist ein großartiger Ort für Entdeckungen.«

Michael Bladerer, Geschäftsführer der Wiener Philharmoniker, sagt: »Rund ein Drittel der über 175-jährigen Geschichte der Wiener Philharmoniker ist in Partnerschaft mit der Deutschen Grammophon auf Tonträgern dokumentiert, darunter herausragende Aufnahmen mit Maestri wie Abbado, Bernstein, Böhm, Boulez, Furtwängler, Karajan, Kleiber und Sinopoli sowie in jüngerer Zeit mit Barenboim, Dudamel, Gardiner, Muti, Nelsons, Previn und Thielemann. Wir freuen uns, dass dieses gemeinsame diskographische Schaffen nun in einer prominenten und von Kennern kuratierten Playlist der Wiener Philharmoniker auf Apple Music zu entdecken ist und so ein globales Publikum neu damit vertraut werden kann.«

Ildar Abdrazakov ist überzeugt, dass Apple Music ein wichtiger Mittler ist, um Klassikfans jeden Alters zu erreichen: »Ich liebe es, mit meinem Publikum in einen Dialog zu treten«, sagt er. »Für die Kampagne meines letzten Albums mit Rolando Villazón und Yannick Nézet-Séguin hat sich das Social-Media-Feature von Apple Music als großartiges interaktives Kommunikations-Tool erwiesen. Deswegen bin ich sehr glücklich, dass ich über das Connect-Feature meine heutige Aufnahme einer Mozart-Arie sofort online stellen kann.«

Der Cellist Peter Gregson konnte eine internationale Fangemeinde gewinnen durch seine genreübergreifenden, neo-klassischen Kompositionen und seine bemerkenswerten kreativen Kollaborationen: »Bach ist in meinem Leben immer von großer Bedeutung gewesen, ob als Student oder auf der Bühne der Royal Academy oder als Komponist für mein Recomposed-Projekt mit Bachs Cello-Suiten – und eben auch jetzt als Kurator der Bach-Radiostation auf Apple Music«, sagt Gregson. »Ich bin in beiden Welten zu Hause, in der klassischen, aber auch in der nicht klassischen, und weiß daher, dass man neue Wege öffnen muss im Zugang zur Klassik. Durch die Streaming-Dienste sind die Barrieren niedriger denn je. Und ich glaube, dass das Gelbe Label – mit seiner hohen Markenbekanntheit nicht nur unter Klassikliebhabern – das Entdecken klassischer Musik ermöglichen kann, gemeinsam mit seinen Künstlern. Ich bin stolz, dass ich zu ihnen zähle.«

Es ist ihre musikalische Leidenschaft, die Kuratoren und Künstler der Deutschen Grammophon nach einem innovativen Weg suchen lässt, um klassische Musik einem internationalen Publikum nahezubringen, und die Partnerschaft mit Apple Music bedeutet eine hohe Reichweite, Expertise und ein langfristiges Qualitätsversprechen an Musikliebhaber in aller Welt.



DEUTSCHE GRAMMOPHON – THE WORLD’S OLDEST AND MOST RENOWNED RECORD LABEL – LAUNCHES DG120


A CURATED GLOBAL PROGRAMME OF ACTIVITIES TO CELEBRATE ITS HISTORIC 120TH ANNIVERSARY

Berlin, 11 June 2018 – Deutsche Grammophon (DG), the world’s oldest and most renowned classical music label, will celebrate its 120th anniversary this year with an unprecedented, wide-ranging and ambitious international programme of activities to celebrate the Yellow Label’s illustrious past, dynamic present and prosperous future.

Throughout its unique history, Deutsche Grammophon has been a committed and long-term investor in culture, innovation, music and the arts, and during the 2018/2019 season DG120 will present a celebration of the cultural importance of classical music and the extraordinary artists who help bring it to life.

“These are exciting times for classical music,” observes Dr Clemens Trautmann, President Deutsche Grammophon: “Deutsche Grammophon’s 120th anniversary is about sharing classical music’s emotional force and expressive beauty with as many people as possible around the world. The Yellow Label’s founders used new technology to inspire millions and – together with our family of artists – we are determined to continue what they started as we engage established and future audiences with our DG120 campaign. We are delighted to welcome Google Arts & Culture, Volkswagen Group and our other international partners who are supporting this ambitious global initiative.”

The carefully curated programme features multi-disciplinary activities, events, rare archival treasures and an exciting new product suite that will captivate music fans around the world. DG120 will include:


GLOBAL SERIES OF DG120 GALA CONCERTS WITH LEADING DG ARTISTS, INCLUDING A HISTORIC LAUNCH CONCERT IN BEIJING’S LEGENDARY FORBIDDEN CITY AREA

One of the defining characteristics of DG is its long-lasting relationships with the world’s greatest musicians. Today’s community of DG artists will play a central role in the DG120 celebrations with a programme of worldwide concerts that will take place in Beijing, Berlin, Hamburg, Hannover, Hong Kong, London, Seoul, Shanghai, Taipei and Tokyo, with further events to be scheduled – Click here for full details of DG120 events.

The DG120 live festivities will begin on October 10, 2018 with a spectacular launch concert at the site of Beijing’s historic Imperial Ancestral Temple (Taimiao), which stands just outside the Forbidden City. The concert will feature the globally renowned Shanghai Symphony Orchestra and Maestro Long Yu, who will perform Orff’s Carmina Burana with Aida Garifullina, Toby Spence and Ludovic Tézier, before being joined by Hélène Grimaud for Ravel’s Piano Concerto in G major.

The Forbidden City, a UNESCO World Heritage Site, is an imperial palace complex that served as the home of emperors as well as the ceremonial and political centre of the Chinese government for almost 500 years, until the end of the Qing Dynasty. The Imperial Ancestral Temple, whose layout echoes that of the Forbidden City, was used by the imperial family on important occasions as a place in which to offer sacrifices to their ancestors. The DG120 concert will be a celebration of both Chinese classical music excellence and the global cultural resonance of Deutsche Grammophon. It will be the first classical music event to be held at the site since 2001, when it hosted a legendary performance by the Three Tenors: José Carreras, Plácido Domingo and Luciano Pavarotti.

Other key DG120 events include performances at Beijing’s National Centre for the Performing Arts by the Berlin Staatskapelle and the inimitable Maestro Barenboim, and further concerts throughout the anniversary year featuring performances from DG’s unbeatable roster of artists: Anne-Sophie Mutter, considered one of the greatest violinists of all time; Lang Lang, pioneering pianist and global cultural icon; Seong-Jin Cho, winner of the XVII International Chopin Piano Competition; and Max Richter, influential ground-breaking post-minimalist composer.


SPECIAL DG120 EDITIONS OF CULT YELLOW LOUNGE CLUB NIGHTS PLANNED FOR BEIJING, HONG KONG, SEOUL, SHANGHAI, TAIPEI AND TOKYO

Special DG120 editions of the label’s highly successful Yellow Lounge classical club nights are planned to take place throughout the year in Beijing, Hong Kong, Seoul, Shanghai, Taipei and Tokyo. The innovative club nights will be live streamed to fans around the world. Yellow Lounge will also visit Wolfsburg, home to DG120 Yellow Lounge partner Volkswagen Group.

“We share many values with Deutsche Grammophon,” notes Benita von Maltzahn of the Volkswagen Group. “The yellow label’s anniversary campaign is destined to boost the audience for classical music and raise the profile of the qualities of excellence and cultural exchange that the art-form represents. We are thrilled to be part of the journey and look forward to partnering with DG and to bringing our expertise to the amazing range of DG120 events.”


THE SHELLAC PROJECT: REDISCOVERED AND PREVIOUSLY UNRELEASED TRACKS DIGITISED FROM THE HISTORIC DEUTSCHE GRAMMOPHON VAULTS IN COOPERATION WITH GOOGLE ARTS & CULTURE REFLECTING THE UNIQUE HISTORY OF THE LABEL – INCLUDING RECORDINGS MADE BY LOUIS ARMSTRONG AND BY LEO TOLSTOY

To coincide with the 120th anniversary, DG and Google Arts & Culture are creating digitised versions of rediscovered and previously unreleased tracks extracted from rare surviving Galvano metal masters, recorded in the early 1900s. These treasures, found within the deep vaults of the DG archive include a reading from one of his novels by iconic Russian author Leo Tolstoy, early recordings by legendary American jazz trumpeter Louis Armstrong, leading Russian bass Feodor Chaliapin and Austrian-born violinist and composer Fritz Kreisler.

These unique and remarkable recordings are in the process of being restored in association with Google Arts & Culture as part of a digitisation partnership, as DG adds them and details of their history to its parent company, Universal Music Group's already extensive global digitisation programme. 400 unique shellac records will be released over the next several months, beginning with 40 today, among them Louis Armstrong & his Orchestra with “St. Louis Blues”, recorded in 1934 and a recording of Pietro Mascagni conducting members of the Berlin Staatskapelle in a 1927 performance of the famous Intermezzo from his opera Cavalleria rusticana – which can be found here. In addition, tap dancer Andrew Nemr and Tilt Brush artist Atma created unique visualisations for some of these tracks.

"As inventor of the gramophone and founder of the world's oldest record labels, Emil Berliner brought music into everyday life,” comments Philipp Justus, Vice President Central Europe, Google. “We are excited about Deutsche Grammophon's collaboration with Google Arts & Culture to digitise hundreds of the world's oldest records, and to make this important chapter of music history more accessible to people everywhere."

Expanding on DG’s legacy around the invention of the gramophone by the label’s founder, Emil Berliner, DG will make cultural background material available: the result are 12 online exhibitions curated by DG opening on Google Arts & Culture’s platform as well as in their mobile app (Android & iOS) on June 11th. Users can learn about some of the legendary artists of classical music like Leonard Bernstein or Herbert von Karajan, how records are made, or how the invention of the gramophone brought music to our living rooms. The records will also be made available through DG’s own channels and on partner platforms including Google Play Music, YouTube Music, Spotify, Apple Music and Amazon.


120 YEARS OF UNRIVALLED RECORDING HISTORY AVAILABLE WITH RELEASE OF DELUXE BOX SET DG120: THE ANNIVERSARY EDITION AND KARAJAN-BEETHOVEN ART EDITION SERIES

At the centre of an extensive product suite for classical collectors will be DG120: The Anniversary Edition, a flagship 120-CD collection spanning 120 years of recorded music and presenting all the main genres of the label’s unrivalled catalogue, which will be released globally on 21 September. The deluxe box set will also contain some of the new remastered tracks that have been extracted from historic metal masters and feature hidden gems of the DG archive. Other unique products that will be released throughout the year include a vinyl edition of Herbert von Karajan’s legendary 1963 cycle of Beethoven’s nine symphonies. The Karajan-Beethoven LPs will be issued in a limited edition of 1,200 box sets, and in an additional super-deluxe version of which only 120 copies will be available, each accompanied by unique artworks from artist Gregor Hildebrandt, who uses fragments of pre-recorded cassette tape as raw material in his creative process. His Karajan-inspired art will be presented at Berlin’s new Deutsche Bank Forum for Art, Culture & Sports to launch the LP edition.

The DG120 initiative will also feature an exclusive range of merchandise created in partnership with leading global merchandise company Bravado; the publication by Verlhac Editions of a revised and updated version of State of the Art: Deutsche Grammophon – The Story in German/English and English/Mandarin editions; and a special mini-series documentary exploring the art of recording as invented by the Yellow Label. Further aspects of the campaign will be announced throughout 2018.

Supported by Universal Music Group, the world’s leading music-based entertainment company, Deutsche Grammophon’s DG120 anniversary campaign will shine a spotlight on classical music’s vitality and extraordinary contribution to global culture. The Yellow Label is characterised by its commitment to its artists and their creative longevity, its drive to discover and support excellence in signing new composers and artists and its determination to ensure a lasting legacy for an unrivalled catalogue. Its work in all these areas is underpinned by a constant desire to innovate, experiment and retain leadership in its field.