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Artists

Víkingur Ólafsson

On Tour

Víkingur Ólafsson - J.S.Bach: Goldberg Variations

Klassische Solo-Instrumente

KLASSIK

Wiederveröffentlichungen / Raritäten Klassik

Crossover-Jazz

Müpa, Budapest, Kurt&aacute;g, J.S. Bach

Müpa

Philharmonie, Essen, Beethoven, J.S. Bach, Schubert

Philharmonie

Royal Festival Hall, London, Adams: "After the Fall"

Royal Festival Hall

Queen Elizabeth Hall, London, Kurt&aacute;g, J.S. Bach&nbsp;

Queen Elizabeth Hall

Auditorium Il Parco Della Musica, Rome, Beethoven, J.S. Bach, Schubert

Auditorium Il Parco Della Musica

Palau de la Música Catalana, Barcelona, Beethoven, J.S. Bach, Schubert

Palau de la Música Catalana

Bozar, Brussels, Beethoven, J.S. Bach, Schubert

Bozar

Philharmonie de Paris, Paris, Beethoven, J.S. Bach, Schubert

Philharmonie de Paris

Kimmel Center, Philadelphia, Beethoven, J.S. Bach, Schubert

Kimmel Center

Symphony Hall, Boston, Beethoven, J.S. Bach, Schubert

Symphony Hall

Caramoor Center, Katonah, Beethoven, J.S. Bach, Schubert

Caramoor Center

Carnegie Hall, New York, Beethoven, J.S. Bach, Schubert

Carnegie Hall

Powell Symphony Hall, Saint Louis, Beethoven, J.S. Bach, Schubert

Powell Symphony Hall

Powell Symphony Hall, Saint Louis, Beethoven: Piano Concerto no. 5

Krannert Center for the Performing Arts, Urbana-Champaign, Beethoven: Piano Concerto no. 5

Krannert Center for the Performing Arts

Harpa Reykjavik Concert Hall and Conference Centre, Reykjavik, Beethoven, J.S. Bach, Schubert

Harpa Reykjavik Concert Hall and Conference Centre

Jones Hall, Houston, Beethoven, J.S. Bach, Schubert

Jones Hall

Jones Hall, Houston, Adams: "Must the Devil Have All the Good Tunes?"

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Title

OPUS 109 Beethoven | Bach | Schubert / Víkingur Ólafsson

Opus 109

Works by Beethoven &middot; Bach &middot; Schubert

Recent GRAMMY&reg;-winning pianist V&iacute;kingur &Oacute;lafsson releases his new album Opus 109. At the heart of the project is Beethoven&rsquo;s Piano Sonata No. 30 in E major, Op. 109, a masterpiece of the composer&rsquo;s late period, which V&iacute;kingur places in an illuminating and musically thrilling temporal dialogue, tracing the lineages that converge on this beloved beacon of the piano literature.&nbsp; &nbsp;
While the pianist considers Bach as a vital precursor to Op. 109, represented on the album by three works including the monumental Partita No. 6, he also feels that Beethoven&rsquo;s own Sonata No. 27 in E minor, Op. 90 acted not only as a precursor of Op. 109 but also as a direct influence on Schubert, in particular his early two-movement Sonata in E minor, D. 566.&nbsp;&nbsp; &nbsp;
These two Beethoven and single Schubert sonatas form the conceptual spine of the programme. Yet &Oacute;lafsson notes that both composers confront Bach &ldquo;as every great composer must.&rdquo; The whole work is in the key realm of E, both major and minor modes, which for the pianist, who has synaesthesia, makes it full of lush and vibrant shades of green.&nbsp;&nbsp;&nbsp;
The album is released digitally, on CD and on vinyl.&nbsp;

Víkingur Ólafsson - Tour Dates | Deutsche Grammophon

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