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Alice Sara Ott
Alice Sara Ott

Biography

Alice Sara Ott
©Pascal Albandopulos

One of the world’s most-streamed classical pianists, Alice Sara Ott is recognised for a distinctive artistic language. Her programmes and formats challenge conventions and rethink the relationship between repertoire, performer and audience. A global artist who performs in the most prestigious venues both as solo pianist and with the world’s leading orchestras, Alice is known for creating original multimedia experiences through cross-disciplinary collaborations. She is also the first choice for many leading contemporary composers when it comes to premiering and recording their work. This has led to exciting artistic partnerships with Ólafur Arnalds, Bryce Dessner, Chilly Gonzales, and Francesco Tristano, among others. 

Alice Sara Ott signed an exclusive contract with Deutsche Grammophon in 2008. She announced her arrival on the label the following year with an acclaimed album of Liszt’s Etudes d’exécution transcendante. Her second album, comprising Chopin’s complete waltzes, was issued in January 2010, while her debut orchestral recording on the Yellow Label – the first piano concertos of Tchaikovsky and Liszt, made with the Münchner Philharmoniker and Thomas Hengelbrock – earned her the “Young Artist of the Year” title at the 2010 Echo Klassik Awards. Ott’s recording of Beethoven’s “Waldstein” Sonata and other piano works, released in August 2011, was followed in January 2013 by Pictures, an album of Mussorgsky’s Pictures at an Exhibition and Schubert’s Piano Sonata No.17 in D major, D 850 recorded live in St Petersburg.

That same month she also released a recording of works by Clara Schumann made in partnership with violinist Lisa Batiashvili. September 2014 saw the release of Scandale, including the original piano duet version of Stravinsky’s The Rite of Spring, recorded with Francesco Tristano. This was followed two years later by Wonderland, featuring Grieg’s Piano Concerto in A minor, with the Symphonieorchester des Bayerischen Rundfunks and Esa-Pekka Salonen, and a selection of the composer’s Lyric Pieces for solo piano. Nightfall, released in August 2018 to coincide with the tenth anniversary of her partnership with DG, captured Ott’s nuanced explorations of light and shade in a selection of works by Debussy, Satie and Ravel.

For her next album, Echoes Of Life, issued in August 2021, she chose to frame Chopin’s Préludes Op. 28 with seven contemporary compositions, including the world premiere recordings of Ott’s own Lullaby To Eternity and Francesco Tristano’s Bach-inspired In the Beginning Was, together with works by Chilly Gonzales, György Ligeti, Tōru Takemitsu, Nino Rota and Arvo Pärt. Echoes Of Life – Deluxe Edition followed in October 2023, its 11 newly recorded tracks (by J.S. Bach, Field, Chopin, Valentin Silvestrov and Chilly Gonzales) designed to complement the original album. When touring the music from Echoes Of Life, she collaborated with architect Hakan Demirel, whose digital video installation added a visual narrative to her live performances.

In spring 2023 Ott became the face of the Apple Music Classical app, performing Beethoven’s Piano Concerto No. 1 in its launch video with the Netherlands Radio Philharmonic Orchestra and Karina Canellakis. Their recording of the concerto was the headline work on the pianist’s subsequent album, Beethoven, where it was accompanied by a series of solo pieces, including Für Elise and the “Moonlight” Sonata. Beethoven was released in September 2023.

Featuring the complete nocturnes of John Field, widely credited as the father of the genre, Ott’s next album was released in February 2025 to widespread critical acclaim (“[she] brings to these pieces an expressive touch, subtle rubato, graceful left-hand fluidity and sparkling right-hand filigree” – Gramophone). Alice Sara Ott: John Field · Complete Nocturnes was Apple Classical Album of the Year and was selected by The New York Times and The Boston Globe as one of their best classical music albums of 2025. 

As a complement to the recording, Ott worked with director and tenor Andrew Staples to make Alice Sara Ott: Nocturne, a 45-minute film whose custom-designed digital landscapes offer a rare glimpse into the artist’s mind during the creative process. Nocturne was named Audiovisual Music Production of the Year at the OPUS KLASSIK Awards in October 2025.

For her latest DG project, Ott presents the work of Icelandic composer Jóhann Jóhannsson as never heard before. She has made the world premiere recordings of a new volume of piano transcriptions (Faber Music) which capture the essence of 30 of his most famous works. The selection spans Jóhannsson’s career, from studio albums such as Englabörn and Orphée to the pioneering scores he wrote for documentaries or feature films such as Copenhagen Dreams, Personal Effects and the Golden-Globe-winning The Theory of Everything. A first digital EP, Jóhann Jóhannsson: Piano Works – Film Themes, was released in November 2025. A second, Piano Works – From Englabörn, followed in December, and the 30-track album was issued in all formats on 6 March 2026.

Forthcoming highlights of Alice’s 2025–26 season, during which she is Artist in Residence at the Berlin Konzerthaus, include a performance of her acclaimed Field-Beethoven recital programme in Taipei (26 March) and Hong Kong (1 April). She plays Ravel’s Piano Concerto in G major in Seoul (8/9 May), after which her focus is on Beethoven’s Third Piano Concerto, with performances in Berlin (as part of her Konzerthaus residency), Bielefeld, Essen, Hamburg, Linz, Nuremberg and Cologne (22–31 May).

Alice Sara Ott was born in Munich in 1988 to a German father and Japanese mother. She fell in love with the piano at the age of three while attending a recital with her parents, which led the following year to her first lessons on the instrument. She scored a notable success in Basel in 2008 when she replaced Murray Perahia at short notice in recital. Over the past decade she has worked with conductors of the highest calibre, Vladimir Ashkenazy, Myung-Whun Chung, Gustavo Dudamel, Edward Gardner, Pablo Heras-Casado, Paavo Järvi, Neeme Järvi, Hannu Lintu, Gianandrea Noseda, Sakari Oramo, Andrés Orozco-Estrada, Sir Antonio Pappano, Santtu-Matias Rouvali, Yuri Temirkanov, Robin Ticciati and Osmo Vänskä among them.

Alice engages actively with the visual and conceptual aspects of her work, occasionally illustrating and designing, and exploring connections with fashion, jewellery, and technology.  She has worked closely with such leading international brands as Technics; JOST bags (Germany); French jewellery house Chaumet, part of the LVMH group; and German jeweller Wempe. 

Driven by a desire to share classical music with the most diverse audience possible, Alice Sara Ott has drawn many to the concert hall for the first time and introduced countless others to unfamiliar repertoire. “I want to remove the notion that classical music is just something for rich educated people,” she says. “It’s not. You don’t have to be educated to enjoy classical music; you get educated by listening to it.”

2/2026

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