Please note that because of the Covid−19 pandemic, we are currently unable to provide reliable information about forthcoming live performances.
Admired by fellow performers, acclaimed by critics and revered by music-lovers worldwide, Rudolf Buchbinder stands among the great pianists of our time. His interpretations flow from a unique fusion of spiritual insight and intellectual rigour, expressive spontaneity and technical control, refined over the course of a career spanning more than sixty years. The irresistible power of his artistry continues to grow, reinforced by tireless study and a lifelong passion for the masterworks of the piano literature.
Buchbinder is always guided by what the music tells him, never by the demands of fashion or the pursuit of personal glory. The influential critic Joachim Kaiser described him as the “greatest natural pianistic talent”, praising his innate ability to reveal fresh ideas and mine rich seams of expression in the moment of performance. “I aspire to experience the pinnacle of my pianistic career at the end of my life,” notes Buchbinder in his autobiography. “Of course, I do not know when that will be … which is a shame, in a way! Because in my profession you have never actually accomplished something – there is always more to be achieved.”
Rudolf Buchbinder opened the latest chapter in a long and distinguished career in April 2019 when he signed an exclusive contract with Deutsche Grammophon. While hailed for his recordings of the music of Haydn and Mozart, he is most closely associated with the keyboard works of Beethoven. He has performed the composer’s complete cycle of thirty-two piano sonatas over sixty times, often on seven consecutive days. “I am never finished with this music,” he told the Guardian (London) ten years ago. “I learn every time. It is a challenge every time.” Appropriately enough, therefore, his initial collaborations with the Yellow Label – a double album entitled The Diabelli Project and a live performance of the First Piano Concerto – form part of the Beethoven 2020 celebrations, marking the 250th anniversary of the composer’s birth.
For the first release, Buchbinder created a programme based on the Diabelli Variations, commissioning contemporary responses to the theme written by music publisher Anton Diabelli from Lera Auerbach, Brett Dean, Toshio Hosokawa, Christian Jost, Brad Lubman, Philippe Manoury, Max Richter, Rodion Shchedrin, Johannes Maria Staud, Tan Dun and Jörg Widmann. He recorded the original waltz theme, Beethoven’s monumental set of variations and a selection of the other original variations commissioned by Diabelli from composers such as Hummel, Schubert and Liszt, as well as the twelve new works. The Diabelli Project was released in March 2020 to coincide with a special recital at the Vienna Musikverein on 3 March at which Buchbinder gave the world premieres of the eleven commissions in addition to performing the rest of the repertoire included on the album.
The pianist’s second DG recording pairs Beethoven’s Piano Concerto No.1 with the Variations on an original theme in F major, op.34. The Concerto was recorded live in 2016 with the Berliner Philharmoniker under the baton of Christian Thielemann, while the Op.34 Variations were recorded in August 2019, alongside the Diabelli Variations. This album was released in October 2020.
In another major Beethoven project, organised in association with the Vienna Musikverein, Buchbinder also aims to become the first pianist to perform the composer’s five piano concertos with five different orchestras and five leading conductors in the venue’s 150-year history. The series opened in October 2019 with the First Piano Concerto, given with the Gewandhausorchester Leipzig and Andris Nelsons, and continued with performances of the Second, Third and Fifth Concertos with, respectively, the Symphonieorchester des Bayerischen Rundfunks and Mariss Jansons, the Münchner Philharmoniker and Valery Gergiev, and the Wiener Philharmoniker and Riccardo Muti. The final concert will see him join forces for the Fourth Piano Concerto with the Staatskapelle Dresden and Christian Thielemann.
Other highlights of his 2019–20 season included performances of Mozart’s Piano Concerto No.23 with the Symphonieorchester des Bayerischen Rundfunks and Jansons at the Munich Philharmonie, Vienna Musikverein, Hamburg Elbphilharmonie and at New York’s Carnegie Hall (with Vasily Petrenko); the complete Beethoven violin sonatas with violinist Nikolaj Szeps-Znaider in Copenhagen and Vienna; and a Beethoven piano concerto cycle in Barcelona, for which he conducted the Orquestra Simfònica de Barcelona i Nacional de Catalunya from the keyboard.
Following on from recent performances of Beethoven’s Piano Concertos 1, 3, 4 and 5 with the Bamberger Symphoniker in Bamberg and Bayreuth, Buchbinder’s forthcoming engagements include more Beethoven, as he plays Concertos 1 and 5 with the Wiener Symphoniker in Zurich and Geneva, conducting from the keyboard, and takes his Diabelli programme to Zurich, Paris, Prague and Madrid.
Rudolf Buchbinder was born on 1 December 1946 in Leitmeritz, a market town in Czechoslovakia. He made meteoric progress on his parents’ piano and, at the age of five, became the youngest student ever to be admitted to the Vienna Academy of Music; five years later, he performed for the Austrian Chancellor at the Musikverein. His interpretations of the Viennese Classical and Romantic repertoire rest on technical foundations established during his studies with Bruno Seidlhofer in Vienna.
In his teens Buchbinder gave a recital tour in North and South America, and returned to the United States in 1966 to win a special prize at the Second Van Cliburn International Piano Competition. In the 1970s he received international acclaim for his recordings of Haydn’s complete piano sonatas and other keyboard works. His reputation as an artist of the utmost integrity and discernment was soon enhanced with the release of the first of three complete recordings of Beethoven’s piano sonatas.
Over the past half century he has performed with the world’s leading orchestras, worked with many of the finest conductors, and performed regularly as concerto soloist, chamber musician and recitalist on five continents. He has been artistic director of the annual Grafenegg Festival, near Vienna, since its foundation in 2007, and has overseen its development as a major event in the classical music calendar. Buchbinder is an honorary member of the Vienna Philharmonic Orchestra and the Israel Philharmonic Orchestra, and was the first soloist to be awarded the Goldene Ehrennadel by the Staatskapelle Dresden. On 18 October 2020 he was presented with the Opus Klassik Lifetime Achievement Award. In his acceptance speech he said, “My life is a life for music … I’m particularly pleased to have received this Opus Klassik award in Beethoven’s 250th-anniversary year.”
Musical freedom lies at the heart of Rudolf Buchbinder’s artistic creed. He has studied countless manuscript sources, early editions and later revisions to gain a deep understanding of the expressive priorities valued most highly by Haydn, Mozart, Beethoven, Schubert, Brahms and their contemporaries. The greater one’s knowledge of their work, he observes, the more spontaneous one can be in performance. Above all, he notes, the learning process never stops.
On his seventieth birthday Buchbinder told Vienna’s Kurier that his role model had always been Claudio Arrau: “He was at the peak of his career at the end of his life. That’s the nicest thing that can happen to you.”