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Lang Lang performs Goldberg Variations from Bach’s own church in Leipzig on DG Stage

Lang Lang DG Stage News
11/09/2020

In March 2020, Lang Lang gave only his second ever live performance of Johann Sebastian Bach’s Goldberg Variations at Leipzig’s historic St Thomas Church. Although he was very aware of the composer’s long association with the church, the emotional impact of playing this monumental work just metres from Bach’s grave still took him by surprise. Lang Lang is now giving fans the chance to experience the unique atmosphere of this recital, which was recorded live by Deutsche Grammophon, through a special streamed concert on DG Stage, taking place on Thursday 19 November at 8pm CET and available online for 48 hours after. Further details here 

In addition to the concert stream, Lang Lang is also releasing a series of new recordings from his forthcoming Goldberg Variations Extended Edition, which is set for digital release on 12 February 2021. The new version of his acclaimed double album (which features both live and studio recordings) includes seven bonus tracks – four of which will be released digitally on Friday 20 November. The new pieces are among Lang Lang’s personal discoveries – they convey the tenderness and beauty of Bach’s melodic writing and complement the Goldberg Variations.

“The more time I spent with the Goldberg Variations, the more I wanted to know about Bach, his contemporaries and the composers he later inspired,” explains Lang Lang. “From a vocal number by Stölzel that was obviously popular in the Bach household and a work by the young Goldberg himself, to a beautiful miniature by Schumann – who loved and studied Bach throughout his life – via solo piano arrangements of some of Bach’s loveliest vocal and instrumental writing, all seven of the pieces I’ve just recorded as part of this project have added to my understanding of his music.”

The four new tracks being released on 20 November include the exquisite “Bist du bei mir”, an aria by Bach’s slightly younger contemporary Gottfried Heinrich Stölzel which appears in transcription in the Anna Magdalena Notebook, and an arrangement of the Sinfonia from Bach’s Christmas Oratorio. Wilhelm Kempff’s sublime transcription for solo piano of the Siciliano from Bach’s Second Flute Sonata and the Andante from Bach’s Italian Concerto complete the initial batch of bonus tracks.

A fifth single, featuring a work by Robert Schumann, will be digitally released on 15 January 2021. Schumann looked to his predecessors for inspiration and saw Bach’s music as the purest source of strength for a renewal of the art form. His Arabesque, whose meditative mood is punctuated by emotional outbursts, chimes perfectly with the Goldberg Variations.

The extended edition will include two more new tracks, the first of which is a contemplative arrangement of Bach’s “Sheep may safely graze” which Lang Lang has recorded with his wife, the German-Korean pianist Gina Alice. Finally, during his long years of exploring the Bach masterpiece, Lang Lang also studied the surviving music of the talented young harpsichordist and composer who lent the work its name. For the last of his bonus tracks he has chosen the delightful Andante from Johann Gottlieb Goldberg’s Sonata in D major.

This seven-track digital project is a companion to Lang Lang’s new studio recording of the Goldberg Variations and his live Leipzig version. The album has received international critical praise since its release in September. Gramophone welcomed it as “the musical equivalent of a cinematic epic”, while the Süddeutsche Zeitung judged it to be “an astonishing, multi-layered, hybrid musical statement of a kind we haven’t heard before”. ArtsJournal in the United States, meanwhile, declared that the release “is easily his finest achievement”, a view echoed in London by The Times, which praised Lang Lang as “a mature and individual performer, fully engaged with Bach’s genius”.

The Goldberg Variations Extended Edition will be accompanied by video performances of each work, as well as track-by-track videos in which Lang Lang discusses aspects of the music and what each of the seven bonus pieces means to him.

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